MICHAL GLIKSON
  • Artist statement
    • Curriculum Vitae >
      • Publications, Field Blog, Book Contributions
      • Exhibitions
      • Interview: Hinterland 2017
  • Scroll archives
    • Ceasefires 2023 - 2025
    • Goŋ Djambutj
    • Bukmak
    • Eurasia Antipodes
    • Thé à la Menthe aka Moroccan stories
    • A moment of silence
    • Australindopak Archive >
      • Canberra and Other Ideas scroll I Australindopak Archive
      • Australind scroll II Australindopak Archive
      • Indopak scroll III Australindopak Archive
    • Relli Kahane (Quilt Story)
    • Lost Swat scroll
    • The New Adventures of Zal and Rodebeh
    • Lungfish
    • Half Circle
    • Conversation with Chand
    • With Shoemakers of Hira Mandi
    • Broken scroll
    • Floating in Hindustan
  • Animation
  • Community Projects
    • The Tessellated Quilt/ Zabardast Ralli Heh
    • The Bush Medicine Show
    • The Rainbow Tent
  • Peripatetic Painting: Observational and Ethnographic
    • Earthquake Story
  • Workshops
  • Ceasefire in Palestine
                                                                                                                 2021 - 2023                                                                               

                                                                                                   Goŋ Djambutj - Clever Hands
    Eunice as a girl digging for ganguri. Goŋ Djambutj.                                                                                                                      Digging for ganguri. Goŋ Djambutj. 


​Goŋ Djambutj means 'clever hands' in Yolngu Matha, the language of the Yolgnu peoples of Northern Australia. The Yolngu have lived in their country for around 80,000 years. They remember who they are. They will tell you with clear eyes how they descend from two sisters who came from the Pleides star system and travelled over that part of the world, creating its features. The Yolngu name for their region is Laynhapuy, although the Englishers still insist on calling it Arnhem Land, after some Dutch explorer.

I lived in Yirrkala for four and a half years. The scroll I made during that time holds precious memories - images about encounters with Yolgnu culture, portraits of friends I made, relationships that developed with people of the Laynhapuy homelands, animals, and environments, and reflections on what I was able to learn about the extreme beauty and complexity of Yolgnu culture and its people. 
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  • Artist statement
    • Curriculum Vitae >
      • Publications, Field Blog, Book Contributions
      • Exhibitions
      • Interview: Hinterland 2017
  • Scroll archives
    • Ceasefires 2023 - 2025
    • Goŋ Djambutj
    • Bukmak
    • Eurasia Antipodes
    • Thé à la Menthe aka Moroccan stories
    • A moment of silence
    • Australindopak Archive >
      • Canberra and Other Ideas scroll I Australindopak Archive
      • Australind scroll II Australindopak Archive
      • Indopak scroll III Australindopak Archive
    • Relli Kahane (Quilt Story)
    • Lost Swat scroll
    • The New Adventures of Zal and Rodebeh
    • Lungfish
    • Half Circle
    • Conversation with Chand
    • With Shoemakers of Hira Mandi
    • Broken scroll
    • Floating in Hindustan
  • Animation
  • Community Projects
    • The Tessellated Quilt/ Zabardast Ralli Heh
    • The Bush Medicine Show
    • The Rainbow Tent
  • Peripatetic Painting: Observational and Ethnographic
    • Earthquake Story
  • Workshops
  • Ceasefire in Palestine